Sometime between 1946 and 1950, a Mongolian overtone singer named Chimiddorzh Ghanzhuryin stepped into a state-controlled recording studio and cut a few sides for preservation on a brittle, shellac 78-rpm record. Perhaps this opportunity came about after Ghanzhuryin had sung at a local festival, wowing crowds with his ability to sing a duet with himself diaphonically. Whatever the case, he left the world of recorded sound a much richer place with his pastoral, meditative vocals. Read more on Last.fm