Kent Sparling was born in San Francisco in 1966; he began working with experimental music techniques in 1984, creating unique recordings up to 45 minutes long, using the classic musique concrète methods of manipulation and montage. With the use of electronic devices and electro-mechanical constructions such as oil drum reverbs and modified speaker systems, he alters the sonic character of a broad range of recorded sounds, from environmental noises Read more on Last.fm