First heard: 16 May 2021
Kvernberg’s violin is obviously to the fore, but never exclusively dominant. Instead, it acts like a guide for the music to follow, leading it through the uncharted territories between free jazz and compositional expertise, with sparse moments of haunting beauty and large walls of full band sound. Minimalist compositional techniques are given a new setting, allowing an unparalleled line-up of musicians to move freely. Read more on Last.fm