In a windowless warehouse building on the dreary outskirts of town, an unknown purveyor of grind-house cinema was beginning principal photography on what would be it’s last film ever. That summer, in that same warehouse, a young audio engineer named Fujiyama was contracted to record a visionary album as a companion piece to the film using a preproduction test unit of the latest synthesising equipment from Sansui in Osaka. But sadly, the film and the soundtrack created for it, would not be completed according to plan. Read more on Last.fm